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Kohler Aleo

Finishing the Kohler Aleo commercial

About two years ago I was working as a director of photography for a commercial for Kohler from the USA. The filming circumstances were mixed, but the team for those two days was all the better. Especially the work with operator Ulrich Mors was very pleasant. I have summarized more about the production on the respective project page.

Now the film is finally finished and you can see it here: Kohler Aleo faucet collection

And for those who understand Spanish better than English, here is the Spanish version: Grifería Aleo – Jacob Delafon

Buda Castle

Egészségére

Buda Castle
Buda Castle

A new shoot, a new country. This time in the capital of Hungary, Budapest. As so often when I visit a new country, sometimes only a new area, first I study the relevant Wikipedia articles. In addition, I quickly learn a few important words: Yes, no, good day, thank you. In the service of av22, I fly to the ninth largest city in the EU with my charming colleagues Julia and Tony. Excitedly we board the plane that takes us from Cologne/Bonn to Berlin Tegel. In Tegel we have a layover – and we soon realize, go back on the same plane with the same crew as on the previous flight. This is confirmed by the nice flight attendant, who tells me that they will fly back the same routes that day. Read More

burst tyre

And then: bam!

Two weeks ago I drove from Cologne to Bremen with two colleagues. Every ten minutes we got into some seemingly causeless traffic jam, so that we needed a good 5 hours for the 3 1/2 hours distance. The way back on a Sunday should actually be easy to do. Nope! Five traffic jams later we thought that we had finally made it, until suddenly the next traffic jam came and everything stopped. Full closure. But at some point even that was lifted.

There’s one thought you should never think, “What could possibly go wrong now?” Many years ago during college we said this during a shoot after every glitch, and after almost everything went wrong – the generator went up in flames. So when the full lockdown was lifted, I dared to entertain this thought to some extent. About 80 km before Cologne it happens:

We drive in the left lane at between 140 and 150 km/h. All of a sudden there is a huge bang, the whole car is shaken and moves immediately to the left towards the barrier wall. I have both hands on the steering wheel and can react instantly and steer against it. I turn on the warning lights, quickly look around to see what the situation is behind me. The car wobbles, but I can get it into the middle lane. Ironically, I have to accelerate to keep the cars behind us from crashing into us, but they seem to recognize the situation. What could possibly go wrong now? There is no hard shoulder! I get the car into the right lane relatively stable. And then there is actually an emergency stop that seems to be within reach. By now I appreciate emergency stop bays. And what could possibly go wrong now? The brakes fail completely. We drive towards the emergency stop bay without functioning brakes. For a moment I think about using the barrier to stop the car. The hand brake then is the less violent option. We finally come to a stop.

All three of us are still in shock and full of adrenaline and happy to be alive, because everything could have turned out quite differently in every step of this event. After the (of course) sudden torrential rain has subsided we have a look at the damage. The tyre has been completely shredded, but the body seems to have suffered only little damage. We drive the car back to the beginning of the bay and as far inside as possible and change the tire, which, how else could it be, is completely flat. The ADAC (German Automobile Club) helps us to get the tyre fit again and checks briefly if everything is okay on the outside. Back on the road we decide that 100 km/h is an insanely great cruising speed. Without any further incidents we all arrive home healthy and extremely alive.

In retrospect, it is a small miracle that apart from a burst tyre and a bit of damage to the car, absolutely nothing else happened. And I will not think again: What could possibly go wrong now?

Feuerwehrensache

A photo for the fire department

Last week I was on tour with the MAIS and the MIK. That is on the one hand the Ministry of Labour, Integration and Social Affairs of the state of North Rhine-Westphalia, MAIS for short, and on the other hand the Ministry of the Interior and Municipal Affairs of the state of North Rhine-Westphalia, MIK for short.

This involved the project Feuerwehrsache, which deals with the support of voluntary work in fire departments. MAIS is involved in this project to promote the integration of, as they say, people with a migration background (I am by definition one of these background migrants) in the fire departments.

On this day, the Secretary of State for integration visited the voluntary fire department in Kall, which has an interesting member to call its own: a native Bulgarian with training as a puppeteer. This very active lady then had the hilarious idea to develop a puppet show on the subject in order to get more people interested in the voluntary fire brigade.

Overall the day was very interesting and there were many funny moments. And at the end of the day I (the reason why I was there in the first place) took the photo, which is now published on the official MAIS website.

Game of Thrones Making of

Game of Thrones – Logistical masterpiece

Often big productions release short making ofs before the release of a project, which are mostly commented by the main actors, mostly about how exciting it was to work there, or how fantastic the crew was. This is edited with a short shot of someone shouting “Action” or “Cut” and how the main actors talk to the director. These videos are not really giving a look behind the scenes of the productions, so that they rather have the appearance of a promotional clip than a real making of.

HBO has just released a Making of for their series Game of Thrones worth watching, which focuses on the incredibly extensive logistics of production and lets the responsible heads explain the course of a production day. This day takes place in three countries at the same time, as two units are shooting in parallel, while in the third country the preparations for the upcoming shoot are in progress.

Here are some more numbers: this season was shot in 5 countries on 151 sets for 240 days with 166 actors and over 1,000 crew members. And 5,000 extras.

(Image (c) HBO, from the making of “Game of Thrones Season 5: A Day in the Life”)